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Marina Toffetti (ed.): Studies on the reception of Italian music in central-eastern Europe in the 16th and 17th century
The present volume focuses on three main themes: the dissemination of Italian music in central-eastern Europe, faithfully reflected in the numerous historical inventories of music items kept in ecclesiastic institutions of the area under consideration; the migration of musicians and composers; and the adaptation and assimilation of style and compositional techniques of Italian origin, suitably modified depending on the performing conditions of the different geo-cultural contexts.
Dostępność: brak towaru
65,00 zł
Marina Toffetti, Gabriele Taschetti (eds.): Contrafacta. Modes of Music Re-textualization in the Late Sixteenth and Seventeenth Century
The present volume offers a reflection on the phenomenon of the re-textualization of vocal music in the 16th and 17th century. Its main object of investigation is the contrafactum, an intertextual artifact par excellence that is studied here from multiple points of view.
Dostępność: brak towaru
90,00 zł
Giovanni Battista Riccio Il terzo libro delle divine lodi (Venezia, 1620) I. Compositions for one and two voices. Edited by Chiara Comparin. Introductory essay by Chiara Comparin
With its 51 compositions, Il terzo libro delle divine lodi musicali (1620) is by far Riccio’s most extensive collection. The volume includes 37 sacred concertos, 12 instrumental works, and 2 compositions for voices and instruments—representing the most innovative works of the collection.
Dostępność: dostępny
Wysyłka w: 5 dni
Giovanni Battista Riccio: Il primo libro delle divine lodi (Venezia, 1612). Edited by Chiara Comparin Introductory essays by Chiara Comparin, Marina Toffetti, Gabriele Taschetti
The Primo libro delle divine lodi (1612) includes 35 compositions: 33 sacred concertos (1 for solo voice, 31 for two voices and 1 for three voices) and 2 canzonas for two instruments.
Dostępność: dostępny
Wysyłka w: 5 dni
Giovanni Battista Riccio: Il secondo libro delle divine lodi (Venezia, 1614). Edited by Chiara Comparin and Gabriele Taschetti. Introductory essay by Marina Toffetti. On-line version
The book is available on-line free of charge. Click here to download it.
The Secondo libro delle divine lodi (1614) includes 28 compositions: 1 Mass and 1 Magnificat for two voices, 19 sacred concertos (4 for solo voice, 10 for two voices, 2 for three voices, and 3 for four voices) and 7 instrumental works (5 canzonas for two instruments, 1 sonata and 1 canzona for four instruments).
Dostępność: dostępny
Wysyłka w: 5 dni