Marina Toffetti (ed.): Studies on the reception of Italian music in central-eastern Europe in the 16th and 17th century
The present volume focuses on three main themes: the dissemination of Italian music in central-eastern Europe, faithfully reflected in the numerous historical inventories of music items kept in ecclesiastic institutions of the area under consideration; the migration of musicians and composers; and the adaptation and assimilation of style and compositional techniques of Italian origin, suitably modified depending on the performing conditions of the different geo-cultural contexts.
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Marina Toffetti, Gabriele Taschetti (eds.): Contrafacta. Modes of Music Re-textualization in the Late Sixteenth and Seventeenth Century
The present volume offers a reflection on the phenomenon of the re-textualization of vocal music in the 16th and 17th century. Its main object of investigation is the contrafactum, an intertextual artifact par excellence that is studied here from multiple points of view.
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